|
|
It’s
going to be another great interview, because today we have with us my friend
Angela Wallace. For those of you who don’t know, she’s the author of the
popular “Elemental Magic” series, and today is here to talk about her
entirely new release: “Dreamwalker.” I’m excited to learn more about it.
|
Tim Greaton:
I can’t tell you how excited I am to have you appearing here in the forum,
Angela. We’ve been friends for a while, but I’m just now learning that you’re
not always a hard-working novelist. There are actually times when you act a
little crazy. Would you tell us about that?
Angela Wallace:
When I’m not writing, I work as a sign language interpreter at a
couple colleges. I go into the
classroom where I interpret the teacher’s lectures and any interaction
between the Deaf student and other people.
The language aspect is a lot of fun, and when I work with eccentric
teachers, I get to be silly and funny myself (because interpreting isn’t just
about words, but manner and tone).
That’s the only place you’ll see me act goofy. I also love learning all these subjects
when I’m not the one doing the homework.
Tim Greaton:
I once heard you mention a great interpretation story about a squirrel. Do
you remember the one I mean?
Angela Wallace:
I do. It actually happened during my interpreter training program the
semester before graduation. Our class
was doing a series of presentations on the Seven Ancient Wonders, and while
some students practiced English speaking delivery, some practiced
interpreting the presentations.
Interpreters also work in teams, so we were practicing how to do that
as well. The leftover students divided
themselves into the “audience,” some with over the head earmuffs that played
white noise so they could be “deaf.”
I was interpreting a presentation on the statue of
Zeus. I fell a little behind on the
description and missed what perched on top of his staff, so I looked to my
team to feed me what I missed. She
threw a sign at me, and even though I had no idea what she meant, I copied it
anyway. After all, if I spent too much
time thinking about it, I would lose the rest of the speech. So at the end, the student playing the
“deaf audience” debriefed with us and asked, “What do you mean there was a
squirrel on top of the statue?”
Isn’t that an image! The great god Zeus with a pet
squirrel. We were all in hysterics for
a long time after that, and at graduation my team drew us all copies of that
statue with a squirrel on top. (Unlike
me, she’s a real artist.) There are
lots of amusing stories of “lost in translation” when you’re an interpreter.
Tim Greaton:
Now you’ve got us curious about the artist statement, so I’m hoping you’ll
clarify. And, while we’re at it, would you also tell us about your “unusual” hobby.
Angela Wallace:
I like to draw My Little Ponies.
It started as a way to decompress during my graduate level study, but
then it was just fun. I’m not a true
artist; I can’t draw squat from my head, but I’m pretty good at eyeballing
dimensions and forging figures from other pictures. Of course, I add my own touch with the
colors (that’s the best part!). I even
made a couple custom designs to go with my books.
As for the other hobby, I took up ballroom dancing
a couple months ago. I can’t afford
lessons yet, though it’s on my “When I’m a best-selling author” list, but I’m
picking up quite a bit at the social parties.
It’s a blast, and you can be sure ballroom dancing will work its way
into my future books.
Tim Greaton:
We writers are always juggling a combination of old and new projects. You recently
decided that older projects might be a little too much work. I wonder how you
figured that out so easily, when the rest of us continue wrestling with dusty
manuscripts long after it probably makes sense.
Angela Wallace:
My latest release was an old project I pulled out. I originally wrote it seven years ago, and
it was not up to par with my current works.
I’ve evolved quite a bit as a writer, not just in craft, but also
style and voice. I rewrote everything
from scratch. So the experience taught
me not to publish any other back listed items. It’s almost harder than writing something
new. Besides, I just have a few short
stories, a novella, and an epic fantasy novel that definitely shouldn’t be
let out of its cage. I’m more excited
about my current projects.
Tim Greaton:
What kind of a method do you use to write your novels, and has it changed over
the years?
Angela Wallace:
I have become a plotter over the course of my career. I find that if I work out everything in an
outline first, I can spot plot holes quicker and they’re easier to fix. People rave about programs like Scrivner,
but I absolutely must use pen and paper.
I cannot focus when it comes to brainstorming unless I’ve got an
actual notebook. And I use colored
pens to organize things, which is good, because my scribbles often go into
the margins, sideways, diagonal.
Things get crossed out, then rewritten. Sometimes I need to use symbols to link
things on opposite ends of the paper.
A year after finishing Elemental Magic, I looked at my notes again,
and couldn’t make sense of them!
Tim Greaton:
You and I share an affinity for beta readers, Angela. Who reads your early
drafts, and how much do you rely on their opinions before finishing a project?
Angela Wallace:
My mom reads my very first draft.
It’s sad sometimes because she misses out on the polished final
version, but she’s my unconditional fan.
On occasion she’ll point something out that should be changed, but I
work with critique partners on the heavy stuff: characterization, clarity,
and my current biggest weakness, lack of description. I trust my instincts in the areas I know
are my strengths, and am working hard to internalize concepts and strategies
for the areas that are weaknesses. I
don’t think I would ever not work with someone before publishing. The collaborative learning experience is
too valuable.
Tim Greaton:
I’m always excited to talk about successful writers past and present because
they always have so much to teach us. I heard a particular author strongly
influenced your current project. Could you tell us about her?
Angela Wallace:
I’m modeling the structure of my “Elemental Magic” series after Kelly
Armstrong’s Women of the Otherworld series.
I loved how she moved about in the books to different main
characters. Secondary characters in
early books became main protagonists, and later books even went back to the
original ones. It gave variety, but
the characters were also all linked through association, so your favorites
would pop up later, even if it wasn’t their story.
Tim Greaton:
A lot of us have been anxiously awaiting your latest release “Dreamwalker.”
Could you please, please tell us about it?
Angela Wallace:
“Dreamwalker” is a fantasy novella that just came out (June 30th). It’s about an ex-soldier with the unique
ability to dreamwalk. She comes out of
retirement when she discovers she’s not alone in this skill after all, and a
dream assassin is threatening her country.
“Two dreamwalkers: one a devout soldier, the other
a rogue assassin. Last one standing
wins.”
Tim Greaton:
Will there be sequels or other stories loosely connected to this one?
Angela Wallace:
I didn’t plan on sequels though I have a couple ideas, including a
next generation dreamwalker type of thing, and of course the title
possibilities are fun! However, my “Elemental
Magic” series is my main focus and priority, as my goal is to release one
every six months. But since “Dreamwalker”
is a novella, it’s possible I could fit one in between.
Tim Greaton:
“Dreamwalker” sounds spectacular, though I think it would have been tough to
write about a dream reality inside of a standard reality. For you, something
else was more of a challenge. What was that?
Angela Wallace:
It was the descriptions, especially of buildings. Since this is a fantasy world, my critique
partner kept asking what the building structures looked like to get a sense
of the society. Well, architecture is
not my strong suit; I don’t even know what most things are called! So looking them up on Google wasn’t easy,
either, when I didn’t know what search term to put in.
Tim Greaton:
Given that descriptive difficulty, what made you need to write this
particular story?
Angela Wallace:
I grew up devouring high fantasy books, but somewhere along the way, I
got sucked into urban fantasy, and haven’t really gone back. High fantasy has become a little...stuffy,
perhaps, language-wise. I love sarcasm
and snark. So I wrote “Dreamwalker”
with a very modern tone. The dialogue
is casual, and there are even a few Americanisms in it. I wanted to make this story appealing to
readers who may not like high fantasy because of its language style. It might throw some people off, but
hopefully it will reach more.
Tim Greaton:
A little off topic, Angela, you told me someone recently stumbled across the
perfect gift for you. Could you tell us what that is?
Hah! My best
friend found this awesome magnet (one of those Hallmark types), and it really
does sum me up perfectly. Might even put it in my obituary. It says:
“She dreamt of mermaids and motorcycles and meeting
a man who can dance.”
Tim Greaton:
It would be great if you could share your website/blogsite and links to where
our audience could directly communicate with you and purchase your stories.
Tim Greaton:
Thanks for taking the time with me today, Angela. I’ve been seeing your “Elemental
Magic” sales steadily rising and was hoping to get you on the forum before
the New York Times and USA Today took up all your interview time.
Angela Wallace:
Thanks for having me here! It
was fun hanging out and sharing all my quirks. Everyone can feel free to look
me up anytime. I love connecting with readers!
|
presenting the most talented authors, artists and business people living and working in our world today.
Monday, July 2, 2012
Interview with urban fantasy author Angela Wallace about her "Dreamwalker" and "Elemental Magic" books...
Subscribe to:
Post Comments (Atom)
Hi Angela and Tim. I definitely learned some new things about you, Angela. Thank you so much for sharing so much of yourself with us.
ReplyDelete